Close to the Edge: Rediscovering Yes’s Progressive Rock Icon

Progressive rock of the 1970s has often been dismissed with labels like pretentious, overindulgent, or self-congratulatory. Yet, beneath these superficial critiques lies a profound artistry. Yes’s Close to the Edge is a testament to that creative brilliance. Released in 1972 under Atlantic Records, this album transcends mere musical trends, cementing its place as one of the most iconic achievements in progressive rock.

The Legacy of Yes and Close to the Edge

Despite the skepticism surrounding progressive rock, Yes stands as a beacon of musical ambition. Critics often lump them alongside other progressive acts like Emerson, Lake & Palmer, accusing the band of over-the-top theatrics. However, Yes’s collective genius between 1971 and 1977, particularly showcased in Close to the Edge, counters these accusations. Unlike acts that use virtuosity as an end in itself, Yes channels technical prowess to serve a cohesive and melodic musical vision.

Creating Close to the Edge: A Progressive Milestone

Close to the Edge emerged as the band’s fifth studio album, following the success of Fragile. Spanning just under 40 minutes, the album comprises three monumental tracks: the title piece “Close to the Edge” (18:42), “And You and I” (10:08), and “Siberian Khatru” (8:55). The recording sessions at London’s Advision Studios were famously laborious, testing the patience of even seasoned band members like drummer Bill Bruford, who left soon after to join King Crimson.

Despite these challenges, the result was groundbreaking. Co-produced by the visionary Eddie Offord, the album achieved a sonic sophistication that placed it leagues ahead of its contemporaries. Each track is a meticulously crafted journey intertwining musical complexity with emotional resonance.

Close to the Edge: A Track-by-Track Exploration

Close to the Edge: The Pinnacle of Progressive Rock

The title track occupies the entirety of Side A, offering a seamless blend of dynamic shifts, tempo changes, and thematic evolution. The immersive opening begins with cascading water sounds and birdcalls, quickly giving way to Steve Howe’s frenetic guitar riffs and Chris Squire’s commanding bassline. Rick Wakeman’s organ solo and Jon Anderson’s ethereal vocals create a near-mystical atmosphere, epitomized by the haunting refrain “I get up, I get down.”

Fun fact: The final segment of the track was accidentally erased during production. The band adapted by using a slightly flawed backup version, showcasing their adaptability under pressure.

And You and I: A Symphony of Serenity

Side B begins with “And You and I,” a majestic piece built around a soaring melody. Divided into four sections, the track exudes a sense of optimism and serenity, balancing acoustic delicacy with symphonic grandeur.

Siberian Khatru: Energy and Innovation

Closing the album is “Siberian Khatru,” a vigorous and rhythmic piece driven by a hypnotic riff. Its energetic performance and intricate instrumental interplay encapsulate the band’s collective chemistry.

Why Close to the Edge Still Resonates

What sets Close to the Edge apart from mere technical showcases is its emotional core. The album pulsates with vitality and warmth, defying accusations of cold intellectualism often leveled at progressive rock. Over the years, its influence has been acknowledged by artists across genres, from musicologists to contemporary musicians like John Frusciante of the Red Hot Chili Peppers.

Conclusion: Why Close to the Edge Remains Timeless

Fifty years later, Close to the Edge continues to captivate listeners with its audacious ambition and flawless execution. It is not just an album; it is a statement—an affirmation of the transformative power of collective artistry. For those exploring the roots of progressive rock, this is a masterpiece that demands to be experienced.